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1968 and 1969 as Epochal Years. On the History and Aesthetics of Argentinean and Mexican Documentary Films and Social Movements

“The camera is the inexhaustible expropriator of image-weapons; the projector, a gun that can shoot 24 frames per second.“ The 1960s have gone down in history not only in Latin America as the years of the so-called social movements and the political struggle of left-wing groups. It was about political participation and civil rights, but (…)