Doctoral projects
1968 and 1969 as Epochal Years. On the History and Aesthetics of Argentinean and Mexican Documentary Films and Social Movements
“The camera is the inexhaustible expropriator of image-weapons; the projector, a gun that can shoot 24 frames per second.“ The 1960s have gone down in history not only in Latin America as the years of the so-called social movements and the political struggle of left-wing groups. It was about political participation and civil rights, but (…)